Only You

How to follow all the conventions of the genres but spread them on an unconventional base, structure of the world, in Only You. So this is why I am drawn towards the simpleton romantic comedies of older times. This is why I hope everyone is in love with those rainy Saturday evening flicks that oozes…

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Black Narcissus

How to be sporty with a non-friendly attitude in a serious environment, sensitive platform and a vital topic, in Black Narcissus. What’s the obsession over the faces? That’s the only question I have from the director Michael Powell and Emeric Pressburger’s Black Narcissus. Yes, it is commendable considering it has brilliant performance at the center…

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Groundhog Day

How to squeeze everything you can from a character, every last bit of drop that could be integrated showcasing the phase, the side of that very character resulting into, obviously the only way out, the film advances forward through those very earned spectrum of emotion. What I love about the film is that unlike the…

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Babe

How to surprise and delight and inspire everyone by going back to the basics, in Babe. The writer George Miller and not the director Chris Noonan’s Babe, an adaptation of the book “The Sheep Pig” by Dick King-Smith, is simply a good film. Proper understanding of characters and the world they are wrapped around. Just…

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We Own The Night

How to execute a not-so-steady material with firm belief in yourself that balances the state, in We Own The Night. The writer and director James Gray’s We Own The Night, owns the essence of everything it focuses on. From the crime world, to the dirty off-stage police work, to the lonely dark nights simmering outside…

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Atlantics

How to stand up in important issues, subject that you care about, in Atlantics What an incredible list of supporting characters they have. They come in and shift the film a whole new side. From positive to negative. It switches on and off within a blink. Personal favourite scene is when the commissioner comes in…

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Una

How to play a film and film a play, in Una The director Benedict Andrews’s Una speaks through not just action but objects. And of course not even using words. Though I must admit the times the film uses words, it is to solely express the intentions and being on the nose. How, on the…

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Kicking And Screaming

Both types of action, that the title claims to be lacking in the film and that’s the only thing you can whip Noah for, in Kicking And Screaming. The writer and director Noah Baumbach’s Kicking and Screaming is funny. Natural funny, not let me set this or that up so that when this or that…

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