How to squeeze everything you can from a character, every last bit of drop that could be integrated showcasing the phase, the side of that very character resulting into, obviously the only way out, the film advances forward through those very earned spectrum of emotion. What I love about the film is that unlike the usual scenarios in a project with a catchy concept as such, the love story doesn’t seem like some shtick added to come up with a note to end on or have some bones to climb upon. But if anything, justifies, explains the reasoning of that very catch concept. Now, it could have easily been the other way around. And maybe in terms of process, it was. But just because they do it properly, treat their characters, concept and their story seriously, the genuinity saves this Groundhog Day.