Following follows all the season. Everything.
Michael Schur, the creator of this PG-13 hellish facade, has a similar concept to those yogurt shops that his world is surrounded by, a bit questionable and a whole lot of fun. The bumpy ride of this train has had its ups and downs, but its potential always outweighs the inadequacies with a soothing mellow tone. The writing is not consistently of A grade quality. Especially, when it has to stroll its viewers for a few laughs or tears. The storytelling, that is, the arc or the trajectory of these characters that they are following so hastily is clearly impressive. And the credit goes to the creator whose vision has always stood by him. Despite the precarious detours, cliched emotional conflicts and seen-this-seen-that flips and turns, the storytelling is thoroughly engaging and catchy. So what is it that makes this under-funded (looking at the production set pieces and visual effects) cheesy teaching-to-the-choir philosophy lectures entertaining? It is the bold decisions that those same writers keeps making. Bold as in, not that they aren’t aware of where this might go but it certainly is jaw-dropping, but bold as in, they are challenging themselves immensely. While as far as the locations are concerned, all they have done smartly is kept the options finite and boundaries shorter in order to break them further as they advance in the series. The challenge is to actually weave out a profound piece of ethical note from the day-to-day conflicts of these characters. Which is how they usually showcase the human-ness of them, no matter how spooky the situation is, or whether they are at The Good Place or the bad place, they would always fight for better sprinkles in their yogurts.