The structure is awfully good and catchy just as the theories thrown out left and right, it’s just that there is no proof.
Suits; created by Aaron Korsh, is a series that has its selective audience for its eerie dramatic conflicts and a keen insight on the law firm as it goes from up and down. Infamous for its witty lines, complex writing and depicting the brutal ongoing drama behind law and order, it found its way walking on a tightrope from the first frame on nothing but sheer brilliant writing skills that defines and justifies its fame. But unfortunately as series started aging on screen the drama and emotions grew more shallow and textbook along with the relationship melodrama that usually feeds itself on petty and cheesy writing.
The complexity between Rick Hoffman and Gabriel Macht has been a game changer and a trump card of the series that works every time as a savior. Patrick’s character fades off into its dull love track far before it even finds itself resulting it into the weakest link on it. The humor that used to fit in smoothly and balance the tone, seems forcibly installed in its latter season that barely draws in a chuckle.
It is rich in technical aspects like its stunning camera work with alluring visuals and up beating song which have always been a huge part of the series that makes it supremely watchable. The performance has always been a flight risk since the only cast that comes off convincing here is Macht and Hoffman whilst others struggles to deliver. Its beautiful cinematography, competitive arguments, slick courtroom drama and Macht at the heart of it, are the high points of the series which makes it, in its latter stages, more annoying than disappointing, as all of it is shredded into pieces. Suits is a mixed bag of feelings for me. It has had inspiring ups and unfathomable downs in its long run, for the clean crisp hot head fictional character named Harvey Specter, I’d dive in every single time.