clearly ahead of its time..
Sturges’s nail biting escape from the war, is a symphony that soars among all the best outcome that the genre has given us. Sturges means business in here, from the first frame till the curtain drops. He doesn’t have any time to go waste by, he cares for the quality offered to the viewers. And the standard is kept persistent. The story called for your usual supporting characters with allotted characteristics that keeps the viewers tangled onto them. But this is no fiction, each characters might be given a signature name, but they are more to what they seem and Sturges proves that in nearly three hours that feels like seconds passing by.
The primary strength of the feature is how the makers fiddle with the geography, environment and the set pieces that every now and then elevates the momentum as the gripping screenplay enfolds onto the screen. The narration is gripping and adoptive with a fascinating structure that builds up the base with equal sincerity and mannerism. It relies a lot upon the physical sequences and yet it never grows dull for it is brimmed with tiny notions and tactics that are pure delights. McQueen stands out from the first act and still he remains of the similar palpable tone like the rest of his cast.
Garner gets a much stronger parallel role but Bronson’s few compelling sequences steals the show. The cunning ways to cheat their way out and the surveillance team still figuring out their tricks, these sew saw are the best bits of the feature and they are in plethora of it; it is thoroughly entertaining. Armed with such a sharp adaptation, Sturges’s execution is plausible and is worth every drop of the sweat that went into it. The Great Escape confronts the reality with a language that was clearly ahead of its time.